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The vultures of Kachikally sacred pool peered through the sparse jungle canopy in hungry anticipation. A crocodile had just hauled itself from the water and flopped into the mud beside me. There were now more than ten in the small clearing. It wrenched its scaly green mouth open, creating a hideous sucking noise. I was slightly nervous. ‘Tek it easy Boss-man,’ assured Lamin, a local Rastafarian. ‘Dey jus chillin. Touch da skin. Go on, dey don’t bite unless dey pregnant.’ I reached for the scales. My every movement was tracked by half open yellow eyes. A snout twitched menacingly. ‘Careful Boss-man. Dat one pregnant.’ I inched away and bumped into another croc that lay sunbathing behind me. Its skin was cold but luxuriously soft. At any moment, at its pleasure, I knew that this creature could extinguish my life with a flick of its tail. I wanted to flex my arms and let out a Tarzan yell. I shivered and laughed. Gambians call the spiritual power that is unleashed by the presence of danger ‘Nyamo’. We call it adrenaline. I was full of it. I was ready to see what I’d come for. ‘So where’s the white one, Lamin? The white crocodile.’ ‘Da white one? Mmmm. Who told you about dat ting?’ Days earlier, whilst I’d watched men dousing themselves with the muddy water of Berending crocodile pool in the hope of taking on some of the sacred animals strength, a wizened old hag, naked from the waist up, had screeched in my ear, ‘Give me ten Dalasi and I tell you about da white crocodile.’ With the crumpled red banknote safely in her hand she’d run away, laughing inanely and cackling, ‘Cross da river, at dawn!’ ‘Bugger,’ I’d thought, ‘The old witch has conned me.’ I’d stood feeling, and no doubt looking, extremely foolish. A young Muslim boy had taken pity on me. ‘Kachikally,’ he’d whispered, ‘Go to the pool at Kachikally.’ It was probably rubbish, I’d thought, or ‘mambo jambo’ as they said in Pirogue, land-rover, ferry boat, foot. However I travelled I could not escape the wide open beauty of the landscape, or the near hopeless poverty of the populace. The fabric of cotton wool laws and social security institutions that protect Westerners from many hardships is noticeably absent in On board the ferry across the River Gambia a mother had implored me to adopt her baby and take it back to ‘Don’t you love your kid?’ I’d asked, dismayed. She’d looked at the Gambian capital city, ‘It’s because I love her dat I offer her to you, Boss-man.’ At the docks Bob Marley had shouted messages of hope and struggle from the windows of countless taxis. A driver had hailed me. He was wearing a pink ‘Bin Laden Rules!’ T-shirt. ‘I’m going to fight for ‘Good for you,’ I’d replied, ‘I’m going to go to the crocodile pool.’ But the white crocodile wasn’t to be found at Kachikally. ‘Not here Boss,’ Lamin laughed, stroking a couple of dark green, gently breathing beasts, ‘for dat ting you have to go south, to Folonko.’ The coast immediately south of Kachikally, known locally as ‘The Land of the Red Hippo’ due to the abundance of fat sunburnt foreigners who wallow there, was like any tourist ghetto you might encounter between ‘Hello. I’m Mr Fix-it,’ echoed the automated sales pitch of the hustlers. ‘Welcome to the smiling coast! Your happiness is my pleasure! Smile and you’ll go browner! I felt like an extra in ‘1984’, bowing down before Judith Charmers. But if the beach strip was a nightmare, what lay behind it was infinitely worse. Locals sifted through the steaming rubbish dumps, competing with pigs and vultures for the left-overs from all-you-can-eat buffets. Young people, educated to European college standard, lived in huts with no running water. They stared at my dirty football shirt like a Westerner might gawp at a Versace suit in ‘Vogue’. A kid trailed me for miles, clutching an empty plastic bottle as if it were his most valuable possession. I gave a little to the blind, the crippled and the beggars as I walked, but it felt like sticking my finger in a dyke that was disintegrating before my moist eyes. ‘If only,’ I thought, ‘if only I worked harder. If only I was rich, I could stop all this.’ I helped a fisherman, a streak of lean black muscle standing in the surf among a forest of bloated pink bodies, to haul in his net. ‘Look at da colours Boss,’ he said, pointing at the floundering, multi hued fish. ‘Now see dis.’ He pointed at a drab dead silver fish on the beach. ‘Fish loose deir colour when dey leave da water.’ He gazed mournfully around at the signs of wealth he would never have, the easy life he would never know, and added, ‘I hope people do da same when dey leave da earth.’ Vodka followed numbing vodka as vultures hopping around on my hotels’ corrugated roof (‘click-click-click’) serenaded the suns’ dive into the After dark drumbeats drew me to the beach. The people who by day waited on tourist tables were now off-duty and coming alive. They clapped and beat out rhythms on empty gallon drums, calabashes, and triangles of rattling bones. Dancers threw themselves around wildly, spraying onlookers with sweat and increasing their speed in time with the frantic drumming. They didn’t care what they looked like, or who was watching them. Like the Sufis of Cairo they were seeking freedom through entrancement. They danced for all that they understood and then, later, frantically kicking sand towards the moon, the stars and the waves, they danced for all that they felt. The following day a frisky bundle of green Vervet monkeys welcomed me to Bijolo national park, the last remnant of primary coastal forest in The coast south of Bijolo wasn’t quaint and pretty like that of The people who appeared from a seemingly empty landscape to treat me like royalty, to shake my hand, to ask how I was, and the gulls, egrets, herons and monkeys who inhabited the shoreline, all ensured that I was never alone. Sometimes I had to wait for low tide to cross rivers or hike inland to pass points where the ocean crashed against low cliffs, but most of the thirty five miles from Bijolo to Folonko was simple beach walking. In settlements that reeked of the sea men mended nets shaded by multi coloured Tibetan like prayer flags fluttering from the prows of longboats whilst women cut huge fish into steaks and loaded other, smaller, varieties into baskets destined for the smoking sheds. Almost everybody I met wore Voodoo Ju-Ju, given to them by their local Marabout, or Muslim holy man. One lad showed me a length of leather tied around his stomach. He said that it offered protection against people wanting to harm him. To demonstrate he shoved a knife into his belly. Perhaps he didn’t push hard, or maybe the charm actually worked, but no matter how he slashed, the skin never punctured. Another guy said that if I paid him he’d show me how powerful his Voodoo was by swallowing a bag of rusty nails. I said I wasn’t interested, although it would’ve been fascinating to watch him go to toilet the morning after he’d done it. A beautiful woman in regal robes sheltering under a Baobab issued forth a plume of red cola nut gob as I asked directions to the crocodile pool of Folonko. She indicated an inland direction with a tilt of her head. Fifteen minutes later I knew I was there when a man shouted, ‘Tek off da shoes. Dis sacred place here!’ The pool was sun soaked and tepid green. A vulture hopped along the wicker fence which served as a shade for women completing their fertility rites. A solitary croc sunbathed, half hidden in its burrow. It was not white. A group of kids approached to see what I was doing. They didn’t remove their shoes. Crocodiles didn’t interest them. They wanted to talk about David Beckham. The man ushered me to one side. ‘You look for da white croc? Ah, dat ting not here today. Under water now. Maybe tomorrow. Maybe you try Kachikally?’ I wasn’t disappointed. My pilgrimage had been to the sacred crocodile pools of At Kachikally I sat once more at the poolside. A snout emerged from the water, followed by two yellow eyes. The crocodile dragged itself up onto the bank and slumped into the sun beside me. I noticed that as I stroked its tail my heart was settled. It seemed quite a normal thing to be doing. I reflected that you didn’t have to be African to feel at home in
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The Sacred Crocodiles Of |